Archive for the ‘Where the Wild Winds Blow’ Category

It doesn’t seem that long ago.

Where the Wild Winds Blow

I was in the Whittlesey Library last week and saw a copy of Whittlesey Wordsmith’s first collection, Where the Wild Winds Blow, prominently displayed on the local collection’s shelf.

I only discovered when I checked that it was published nearly eight years ago (next month, in fact). For the Wordsmiths, our U3A writing group, it was a great achievement and one we were, and still are, very proud of. Over the intervening years, seven more collections have followed: A Following Wind, Three Sheets to the Wind, two Christmas collections, Windy Christmas and Jingle Bells and Tinsel Tales. The last two collections have each had a theme: Dead End Tales is a collection of crime and ghost stories; Coastal Tales are those with a coastal connection. It was after publishing Where the Wild Winds Blow that individual members gained the confidence to publish their own books. Some of these are shown on the poster.

A remarkable achievement The wordsmith’s collection are the top row,

And this is number seven not on the poster:

Coastal Tales

It was when I was standing in the hall of a local meeting room and seeing the proof copy for the first time that the memory that stays with me, etched into my brain, was the great sense of achievement. That, together with the words of a member sadly no longer with us, Jan Cunningham, who said: “I never thought I would see my writing in print”. Coastal Tales is dedicated to the memory of Jan Cunningham

We were given a book or film title with one word changed as a prompt. I changed Summer Holiday to Budget Holiday and it is one of my stories in Where the Wild Winds Blow:

Budget Holiday

We spent an eventful first night of our budget holiday playing Bash the Bed Bug. The beds were so old the maker’s name on the worm-eaten headboard was written in Latin. The one small mercy was that there were no springs sticking out of the mattress; they had all been removed and melted down to make cannons for the Napoleonic wars.

After a fitful night’s sleep, we staggered down the rickety stairs of our decrepit hotel to breakfast. The kitchen was like the three witches’ scene from Macbeth but being a budget hotel, there was only one in the cast. She was stirring porridge in a black iron pot over an open fire. No doubt, rumours about the invention of gas cookers had reached the hotel management, but they placed such stories within the realms of fantasy.

Eventually breakfast was served. Only great willpower and ravenous hunger enabled us to devour the offering put before us. Compared to this establishment, Greasy Joe’s transport café was a three-star Michelin restaurant. Although there was no eye of toad or leg of newt in the porridge, one sensed their presence. After a chipped mug of black tea we completed our breakfast. Following a quick sluice down from the galvy cold water bucket – the en-suite to our room – we were ready for the sightseeing tour.

I don’t know whose idea it was to include the tour of the abattoir in the day’s itinerary but it was not an obvious choice. We were very nervous about the other excursions promised in the brochure; all were listed as mystery tours. I suppose the biggest mystery was how the company had avoided prosecution. The only saving grace was that we had booked the short three-night break, not the full week’s offering.

We returned to our quarters worn out from the sightseeing tour and from bump-starting the 1927 Leyland charabanc – our transport for the day. We wearily trudged upstairs to our bedroom to scrape off the blood and entrails, which were a memento of the slaughterhouse tour. Although bump-starting the bus had been tiring – particularly the half-mile push up the one-in-five to give us a start on the downside of the hill – it did give us a chance to get some fresh air. It allowed the wind to blow away the putrid smell that clung to us like a dog to a favourite bone. The driver had kept the handbrake on to stop the bus rolling back down the hill on top of us but it made it a devil of a job to push.

The wizened crone who acted as hotel cook had excelled herself; the steak and kidney pudding was excellent. The absence of one stocking gave us a clue to how the pudding was wrapped for cooking. After several brown ales we retired for the night, too tired to put up a fight with the wildlife sharing our bed. There is less biodiversity in Barnsley zoo than in that bed.

We awoke early, scratching away the small creatures of the night clinging to our skin with the steadfast determination of a bank manager clutching a newly signed mortgage agreement. After scraping our skins, with the use of the galvy bucket and copious amounts of coal tar soap, we made our way down for breakfast. It was probably the smell of burning bacon that had woken us. It is very unusual to see black bacon. Crispy bacon is not uncommon, but to achieve a near cremation without the result turning completely to ash is a remarkable achievement.

We boarded the Leyland ready for another day of excitement, unsure whether to expect a tour of a sewerage works, a tanning factory or an industrial laundry. Ecclestone’s Brewery was therefore a surprising destination. Ecclestone’s is an old-fashioned brewery. There is a great deal of steam, whirring shafts, open machinery and flapping drive belts. Power is provided to the works by a very ancient steam engine, its low chimney belching copious amounts of black smoke to descend on all and sundry in the damp air as wet soot.

The tour was going relatively well until a posse of rats pursued by three ginger tom cats hurtled by. They raced around the floor then up into the machinery before two rats fell into a huge vat, squealing horrendously. The elderly tour guide didn’t bat an eyelid.

One of the men in our group asked about the incident.

“That often happens,” explained our guide calmly. “You see, the rats can’t keep a grip on the damp surfaces, so they fall in the vat.”

Another member of the group asked how the brewery dealt with the situation.

“When we empty the vat, we strain the rats out and dispose of them.”

“What about the rats?” he asked.

“Oh, they are quite dead.”

“What about the beer?”

“It’s alright, they don’t drink a lot of it; you see, they only have small stomachs and if they can’t get out, they drown. If they do get out, they are usually so intoxicated the cats catch them easily.”

The party shuffled their feet, looking uneasy. One or two had turned quite green and seemed in danger of vomiting.

Our man continued unperturbed, “But surely that isn’t very healthy.”

“Not for the rats, no, but the cats are more sensible and keep away from the open vat.”

“But what about the quality of the beer?” our man persisted.

“I’ll get you a glass and you can try it yourself and let me know what you think.”

“What! When it has had rats in it?”

“It’s alright; they have been strained out, as I said before.”

At the tour’s end, everyone declined the offer of a free pint and was relieved to be returning to the hotel. There was a great deal of nervousness, however, when we learned that Toad in the Hole was the dish for dinner. The relief was palpable when Toad in the Hole turned out to be sausages in Yorkshire pudding.

We decided to leave straight after dinner, foregoing the pleasure of another night in the wildlife park that had been our bed and the culinary delights of the next day’s breakfast.

If it had been possible to award minus stars in the review of our holiday, the minus fifty mark would easily have been surpassed. All I can say is, even if you are offered good money, do not take one of Earnest Mugroach’s “Heritage Tours of the North.”

All the books shown are available to buy on Amazon.

Standing on the Diving Board

The Front Cover

I am getting close to finishing my book the writing is done and the corrections are well underway. The cover design is nearly finished and I hope to publish very soon.

It is an interesting situation for me to be in, I have had some writing published and been touched that people have enjoyed my work. There is no greater vote of confidence than someone buying your work, no, perhaps there is. A lady picked up a copy of “Where The Wild Winds Blow” at a U3A meeting looked at my name badge and asked if I had written anything in the book she held. When I said I had, she leafed through the book and started reading, “Where does the Pope buy his Frocks?” after a few minutes she was laughing out loud. It was a moment of pure magic for me.

At the moment I have mixed emotions, I want to be finished and published but hesitant, wondering about how much more polishing and tweaking it needs to make it as good as possible.

 I suppose the closest analogy is someone standing on a high diving board for the first time. Edging their way to the end wanting to jump, to dive in but worried that the neatly executed movement they have planned will end in a belly flop.

There is only one way to find out and I will in the next few weeks when I dive in.

In the meantime:

Where Does the Pope Buy His Frocks?

“I often talk to myself, sometimes out loud, mostly though within the confines of my mind. I am not sure whether it is just my way of marshalling thoughts or a rehearsal of how the words may sound when spoken.”

“That’s very interesting Mr Fontain,” said Miss Rogers, my analyst, “But you must realise there are times when sharing your thoughts vocally may not be appropriate.”

“I don’t know, sometimes it can liven up a boring occasion, even make it interesting.”

“It can offend though.”

“No one has the right not to be offended.”

“What about the occasion of the Queen’s visit?”

“All I said was she is not my mum and I wish she would stop sending me begging letters.”

“But why use the megaphone?”

“She was a long way off and I wanted her to hear, I am fed up with her writing to me, I don’t even know the woman. It got a lot of laughs though, a cheer and a round of applause.”

“What about the fight afterwards.”

“The Queen started that, well some of the blokes with her did.”

“The police?”

“They had no right to try and steal my megaphone, it cost me a lot of money. It is a good job the people nearby thought the same, I’ve still got my megaphone thanks to them.”

“Would those people be the Fens Republicans?”

“I think some of them might be, I know a couple come from Ely, some from Chatteris and at least one from Huntingdon.”

“The Queen had to cut short her visit because of the fighting; a lot of people were very disappointed.”

“Well, they shouldn’t have started the fights then should they? As I said, no one has the right not to be offended. When I am offended I don’t start fighting people and trying to steal their stuff do I?”

“No, you use your megaphone. What about the visit by the Pope to Cambridge?”

“All I said was I wonder if he got his frock from Marks and Spencer or John Lewis.”

“Through your megaphone wasn’t it?”

“Most people thought it was hilarious. I think even the Pope had a chuckle.”

“That caused more trouble.”

“The police again, trying to nick my megaphone, it was a good job most of the crowd were on my side and I had my bike handy for a swift getaway.”

“The getaway caused problems too didn’t it?”

“The students on their bikes you mean?”

“Yes, they blocked off most of the roads in the city centre to stop the police didn’t they?”

“I heard about that. Again, it was the police causing trouble; you would think they would be chasing criminals wouldn’t you?”

“How on earth did you manage to smuggle you megaphone into Parliament?”

“It wasn’t easy, I had it wrapped up in a parcel and pretended to be a courier delivering it to an MP. Once I was in I got changed and sneaked into the chamber.”

“But why shout out Black Rod stole my elephant?”

“Because what I really feel, what I genuinely believe, I cannot say. My voice is silent on the really important issues – on the lessons we haven’t learned. Mostly, I talk to myself; that audience always listens.”

“Okay, Mr Fontain same time next week. Back to your cell now.”

I am a proud member of Whittlesey Wordsmiths, a writing and publishing Cooperative, you might like to find out more about these books from our collection

Click on the picture to read more or order from Amazon

Front cover of a Following Wind click on the picture to read more or order from Amazon
The Railway Carriage Child. Click on the picture for more information or to order
Witch Way Click on the picture for more information or to order
A year before Christmas click on the picture for more information or to order
Unleash Your Dreams: Going Beyond Goal Setting (NLP, the Law of Attraction, the Universe and You Book 1) by [Stephen Oliver]
Unleash Your Dreams. Click on the picture for more information or to order.

A Guest post from Stephen Oliver

Stephen Oliver's Author Blog

Stephen is a member of our local U3A writing group.

He is an excellent writer. His stories are well written articulate and above all entertaining. Most of Stephen’s work is within the Science Fantasy genre it is always a good read.

Some of his short stories are published by Whittlesey Wordsmiths in their anthologies, Where the Wild Winds Blow and A Following Wind.

Here are Stephen’s thought on Submissions:

Submissions

I’ve been thinking a lot recently about submissions to agents and publishers, given that I’m sending out three different books and a whole bunch of short stories to them. I have come to several conclusions about how much work is involved, what information you need to know, and how much preparation you need to undertake.

I’ll call the agents and publishers AP’s to shorten the article.

I now have around a dozen different versions of my manuscripts on the computer. Some AP’s want double-spaced, others 1.5 lines spacing. Some want Times New Roman, others Courier New. Some want indented paragraphs, others require no indentation, but want an extra 6 point space at the end of the paragraph. And so it goes.

Then comes the file formats: .txt, .doc, .docx, .rtf., .pdf. Attached to email, embedded within it, or uploaded via the submissions page. In the latter case there are often length limits on the number of words or characters in the upload space, often not stated.

How much do the AP’s want? 5 pages? 10 pages? 30 pages? 3 chapters? 50 pages or 3 chapters, whichever is the shorter? The whole manuscript? (Hurrah, but don’t count your chickens yet; I’ve been rejected at this point, too.)

The bios: short, long, one-liners. How much do they want to know?

Publishing histories; what have you already go out there? Short stories or books? Self-published or traditional?

Social media links. Are you on Facebook? Pinterest? Twitter? Instagram? Are there any interviews available? If so, where? What are the links?

To read the rest of his blog Click on the link:

http://stephenoliver-author.com/2020/09/05/submissions/

The launch of Whittlesey Wordsmiths first collection

Book front cover

Where the Wild Winds Blow

I have been a member of the Whittlesey U3A Creative Writing Group since just after its launch. It has now grown to eleven members and become Whittlesey Wordsmiths. Each month members write a piece mostly a set challenge, each member has a different take on the topic and the result is a diverse mix every time.

We have collected together our efforts and published them as a paperback book and also as an e book with Kindle.

If you fancy a look and maybe place an order here is the link to Whittlesy Wordsmiths site.

https://whittleseywordsmiths.com/

 

 

 

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