Archive for September, 2020

Standing on the Diving Board

The Front Cover

I am getting close to finishing my book the writing is done and the corrections are well underway. The cover design is nearly finished and I hope to publish very soon.

It is an interesting situation for me to be in, I have had some writing published and been touched that people have enjoyed my work. There is no greater vote of confidence than someone buying your work, no, perhaps there is. A lady picked up a copy of “Where The Wild Winds Blow” at a U3A meeting looked at my name badge and asked if I had written anything in the book she held. When I said I had, she leafed through the book and started reading, “Where does the Pope buy his Frocks?” after a few minutes she was laughing out loud. It was a moment of pure magic for me.

At the moment I have mixed emotions, I want to be finished and published but hesitant, wondering about how much more polishing and tweaking it needs to make it as good as possible.

 I suppose the closest analogy is someone standing on a high diving board for the first time. Edging their way to the end wanting to jump, to dive in but worried that the neatly executed movement they have planned will end in a belly flop.

There is only one way to find out and I will in the next few weeks when I dive in.

In the meantime:

Where Does the Pope Buy His Frocks?

“I often talk to myself, sometimes out loud, mostly though within the confines of my mind. I am not sure whether it is just my way of marshalling thoughts or a rehearsal of how the words may sound when spoken.”

“That’s very interesting Mr Fontain,” said Miss Rogers, my analyst, “But you must realise there are times when sharing your thoughts vocally may not be appropriate.”

“I don’t know, sometimes it can liven up a boring occasion, even make it interesting.”

“It can offend though.”

“No one has the right not to be offended.”

“What about the occasion of the Queen’s visit?”

“All I said was she is not my mum and I wish she would stop sending me begging letters.”

“But why use the megaphone?”

“She was a long way off and I wanted her to hear, I am fed up with her writing to me, I don’t even know the woman. It got a lot of laughs though, a cheer and a round of applause.”

“What about the fight afterwards.”

“The Queen started that, well some of the blokes with her did.”

“The police?”

“They had no right to try and steal my megaphone, it cost me a lot of money. It is a good job the people nearby thought the same, I’ve still got my megaphone thanks to them.”

“Would those people be the Fens Republicans?”

“I think some of them might be, I know a couple come from Ely, some from Chatteris and at least one from Huntingdon.”

“The Queen had to cut short her visit because of the fighting; a lot of people were very disappointed.”

“Well, they shouldn’t have started the fights then should they? As I said, no one has the right not to be offended. When I am offended I don’t start fighting people and trying to steal their stuff do I?”

“No, you use your megaphone. What about the visit by the Pope to Cambridge?”

“All I said was I wonder if he got his frock from Marks and Spencer or John Lewis.”

“Through your megaphone wasn’t it?”

“Most people thought it was hilarious. I think even the Pope had a chuckle.”

“That caused more trouble.”

“The police again, trying to nick my megaphone, it was a good job most of the crowd were on my side and I had my bike handy for a swift getaway.”

“The getaway caused problems too didn’t it?”

“The students on their bikes you mean?”

“Yes, they blocked off most of the roads in the city centre to stop the police didn’t they?”

“I heard about that. Again, it was the police causing trouble; you would think they would be chasing criminals wouldn’t you?”

“How on earth did you manage to smuggle you megaphone into Parliament?”

“It wasn’t easy, I had it wrapped up in a parcel and pretended to be a courier delivering it to an MP. Once I was in I got changed and sneaked into the chamber.”

“But why shout out Black Rod stole my elephant?”

“Because what I really feel, what I genuinely believe, I cannot say. My voice is silent on the really important issues – on the lessons we haven’t learned. Mostly, I talk to myself; that audience always listens.”

“Okay, Mr Fontain same time next week. Back to your cell now.”

I am a proud member of Whittlesey Wordsmiths, a writing and publishing Cooperative, you might like to find out more about these books from our collection

Click on the picture to read more or order from Amazon

Front cover of a Following Wind click on the picture to read more or order from Amazon
The Railway Carriage Child. Click on the picture for more information or to order
Witch Way Click on the picture for more information or to order
A year before Christmas click on the picture for more information or to order
Unleash Your Dreams: Going Beyond Goal Setting (NLP, the Law of Attraction, the Universe and You Book 1) by [Stephen Oliver]
Unleash Your Dreams. Click on the picture for more information or to order.

A Guest post from Stephen Oliver

Stephen Oliver's Author Blog

Stephen is a member of our local U3A writing group.

He is an excellent writer. His stories are well written articulate and above all entertaining. Most of Stephen’s work is within the Science Fantasy genre it is always a good read.

Some of his short stories are published by Whittlesey Wordsmiths in their anthologies, Where the Wild Winds Blow and A Following Wind.

Here are Stephen’s thought on Submissions:

Submissions

I’ve been thinking a lot recently about submissions to agents and publishers, given that I’m sending out three different books and a whole bunch of short stories to them. I have come to several conclusions about how much work is involved, what information you need to know, and how much preparation you need to undertake.

I’ll call the agents and publishers AP’s to shorten the article.

I now have around a dozen different versions of my manuscripts on the computer. Some AP’s want double-spaced, others 1.5 lines spacing. Some want Times New Roman, others Courier New. Some want indented paragraphs, others require no indentation, but want an extra 6 point space at the end of the paragraph. And so it goes.

Then comes the file formats: .txt, .doc, .docx, .rtf., .pdf. Attached to email, embedded within it, or uploaded via the submissions page. In the latter case there are often length limits on the number of words or characters in the upload space, often not stated.

How much do the AP’s want? 5 pages? 10 pages? 30 pages? 3 chapters? 50 pages or 3 chapters, whichever is the shorter? The whole manuscript? (Hurrah, but don’t count your chickens yet; I’ve been rejected at this point, too.)

The bios: short, long, one-liners. How much do they want to know?

Publishing histories; what have you already go out there? Short stories or books? Self-published or traditional?

Social media links. Are you on Facebook? Pinterest? Twitter? Instagram? Are there any interviews available? If so, where? What are the links?

To read the rest of his blog Click on the link:

http://stephenoliver-author.com/2020/09/05/submissions/

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